The best thing about the end of the 70's was that everyone who wanted to be a part of society had to throw themselves on the disco wave. This created many interesting, exciting or curious elements in the disco era's global record bank. Love Symphony Orchestra fits into the category of curious elements. At first glance, there is little special about this release. "Love," "Symphony" and "Orchestra" were common words in artist names. Here, even my personal opinion is that all releases that contain "symphony" or "orchestra" must be checked out as these often turn out to be delicious harmonic orchestral disco songs. Whether LSO ends up there, we will come back to. First to the curiosity. Like so much else in the 70's: telepathy, communist plans to attack the West and aliens, the Love Symphony Orchestra was not a real orchestra. In 1978, Penthouse Magazine (jepp, mannbladet) released a disco album (an idea that was later used by ...
Here are some facts you never knew about this disco group: It includes lead singer Cynthia Johnson . They were from Minneapolis, Minnesota. They were signed to Casablanca Record & Filmworks . They released a hit disco single, "Funkytown" with the flip side of "All Night Dancing" . Also, they did a disco cover of the Ace tune, "How Long" . Here is a little story behind this group: Lipps Inc. was a funk\dance music band from Minneapolis, Minnesota that was created by Steven Greenberg (born on October 24, 1950 in Saint Paul, Minnesota), who wrote & produced most of the music for the band. The band consisted of lead singer & saxophonist Cynthia Johnson (born on April 22, 1956 in Saint Paul, Minnesota) and a changing line-up of session musicians such as guitarist David Rivkin, guitarist Tom Riopelle & bassist Terry Grant. In November of 1979, Lipps Inc. released their debut album “Mouth to Mouth” on Casablanca Records with Cynthia on lead voc...
Posted on October 22, 2016 by Mr. Groove Disco Lab #33 (Halloween Edition): The Manhattan Transfer – ‘Twilight Zone/Twilight Tone’ (1979) Sometimes disco was futuristic (robots controlled by the beat) and sometimes it looked to the past (New York high society steppin’ out to mingle). The retro vibe gave a boost to The Manhattan Transfer , a swing-vocal combo formed in 1969 who found a surprise hit with the gospel number “Operator” in 1975. For a few years, the group’s retro ’20s-’30s sound struggled to have hit records in the US, though they broke through consistently in the UK. All this would change with the group’s fourth album Extensions . One cut, the disco-inflected medley “ Twilight Zone/Twilight Tone ,” became a surprise hit for the group. It fused the trademark Transfer vocal sound with a spooky, mystical vibe. Extensions was released on Halloween, 1979, which meant that the diehard MT fans had a great supernatural dance party ja...
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